Naufal Ridho Pangestu

Filmmaker / Director / Script Writer

About Me

Often called "Nopal" "Palridope" started filmmaking in high school as an editor and was active in filmmaking activities. The first film during high school won 1st National Champion organized by BEKRAF (Creative Economy Agency) entitled Copyright. Now Nopal continues his in-depth study of film at the IKJ Film and Television faculty in 2018. Starting from joining the Sinemaflex UKM which is engaged in film exhibitions and the last few years has often become an Assistant Director, now he is trying to focus and explore one of the film brings, namely the Director, and is also active in festivals and exhibition activities. He believes that film media can convey stories and deep messages to the audience

My Site offers top-notch film production, short movies, and documentaries aimed at winning awards, enhancing brand recognition, educating and inspiring audiences, and shedding light on important social issues.

Filmmography x Banyugenifilms

TAN ENGET PURWADUKSINA

It is about a young Javanese girl named Sari who had an unusual love story in her life. She has a lover who is actually a satan called Wiro whose came to Sari's Mind unconsciously

Satu Untuk Aku dan Ibu

One morning, Adi wake up to the warm sunlight and mother's love. Lately, he only gets affection only from her mother. That noon, just like the usual. Adi plays with his friends, his bad influence friends, for he accidentally hurt his mother. What he didn't know, that her mother already has a lot of things to grief. Adi had to take her mother's fury. Either because of what Adi said or what her mother's had to endure lately.

CULTUS ( TO WHOM WE WORSHIP)

This film portrays the dilemmas faced during the adaptation process in the pandemic era. It highlights how religious and economic factors often intersect and cannot be separated. Despite this, fundamental aspects of life must be upheld. The challenge lies in how individuals can seek and fight for the deepest essence that must be preserved.

Film Poster laurel 2024 TAK KUNJUNG DATA

Tak Kunjung Datang ( That Never Comes )

Yuni is holding her daughter Ifa looking towards the sea waiting for her husband Tejo who never comes home from fishing. Yuni returns home carrying Ifa with the food condition and condition of the empty house.

Yuni remembers that on that date Yuni received social/food assistance, Yuni and Ifa went to take social/food assistance to a food/social assistance provider stall. When taking social assistance/food using a card, it appears that the contents of Yuni's empty card have no balance, causing Yuni to return home without any assistance, returning with empty food.

Kembalilah ( Return )

The film centers on a father who is going through a divorce from his wife, who works abroad as a migrant worker. The father wants to break the news of the divorce to his only child. To do so, he takes the child on a beach vacation, but things take an unexpected turn.

KASIH YANG KEMBALI FINAL CUT.mov_snapshot_00.38.160.jpg

Kasih Yang Kembali ( The Return Of Love )

A story about a husband who cares for his wife and strives to achieve happiness together through spiritual means or local cultural practices.

Akhirat (The Hereafter )

The film follows a group of young people who end their lives due to their adherence to a particular belief system. However, an unexpected event unfolds as a result of their actions.